Latest Short Dramas

Luan Shi Fan Hua Ru Jun Huai (乱世繁花入君怀) is a 76-episode Chinese vertical short drama that blends romance, suspense, and a touch of the supernatural. Set in Republican-era Shanghai, it follows Xu Wantang, a young student who becomes pregnant after a chance encounter with Fu Chengxiao, only to discover his true identity later. Guided by mysterious premonitions from her unborn child, she navigates traps set by rivals Bai Manqing and Shen Zhiyi, survives a cliff fall, and ultimately finds happiness with Fu Chengxiao. This guide covers the plot, production notes, and viewing information for fans of Chinese short dramas and romance series.

Landlord Bets 4,000 Employees Can’t Move is a completed Chinese vertical drama (short drama) in 67 episodes, centered on a CEO who calmly withstands a landlord’s escalating demands. The landlord believes that 4,000 employees and thousands of devices make relocation impossible, but the CEO has secretly prepared a new headquarters a year in advance. Within three days, all employees vacate the building, leaving the landlord stunned. This drama appeals to fans of workplace revenge and strategic triumph, showcasing the power of quiet preparation over arrogance. The production focuses on the CEO’s composed demeanor and the dramatic reveal, making it a satisfying watch for those who enjoy underdog victories in a corporate setting.

Tang Zui De Mian Fei Wu Fan (The Burning Free Lunch) is a 58-episode Chinese urban daily short drama that follows office newcomer Lin Chen as she fights back against lunch theft and workplace bullying. After senior colleague Li Xiulan repeatedly steals and sabotages her meals, HR manager Wang Meng shields the culprit. Lin Chen prepares a lunch laced with a legal ‘Death Pepper’ extract and attaches a clear warning label. Li Xiulan ignores the warning, tears off the label, eats the food, and ends up hospitalized. When Li’s family causes a scene at the office and Wang Meng pressures Lin Chen to back down, Lin Chen calls the police and presents surveillance footage and an audio recording as evidence. This drama suits viewers who enjoy workplace revenge stories with a satisfying, justice-driven narrative.

Love as Home Season 4 (以爱为家第四季) is a 76-episode Chinese short drama that follows three college friends—Li Guanlan, Li Xuan, and Jiang Liu—as they return to their hometown after graduation. They join a media company called He Yun Media, where they uncover unethical practices in a girl group project and choose to walk away, earning them full-time positions. Later, they take on a failing clothing line and reinvent it as a midlife fashion brand called ‘Qianlang’ (前浪), hiring middle-aged women as store staff. Despite online rumors and family opposition, they organize a themed fashion show to prove that beauty is not limited by age. This series blends friendship, workplace challenges, and social commentary, appealing to viewers who enjoy character-driven stories about growth and defying stereotypes.

Three Days Later, I Travel to Ancient Times and Loan the Mall! is a completed Chinese vertical short drama that blends time travel, survival, and farming (种田) elements. The story follows a dying protagonist who binds to a time-travel system, unlocking an infinite warehouse that can statically store supplies. Using all available funds, they stockpile grain, weapons, medicine, solar equipment, and improved seeds before being transported to a war-torn ancient era. Upon arrival, they face a forced marriage system, take in three women in distress, and must manage a heavy head tax while hiding modern resources in a broken-down hut. With 457 episodes, the series is known for its creative premise and resource-management narrative. This guide covers production notes, episode count, cast details, and the story’s key themes for viewers interested in the production side of Chinese short dramas.

Who Says Mortals Can’t Cultivate? (Season 26) is a completed Chinese vertical short drama in the Eastern fantasy genre. It follows Han Fan, a lowly servant at the琉璃 Sword Sect who has no spiritual roots and no background. In a world where spiritual roots determine everything, he is treated as nothing more than an ant. But after discovering a rusty broken sword called Fu Xian while gathering bamboo on a mountain, his fate begins to change. This 88-episode season explores themes of perseverance, hidden destiny, and the classic underdog journey. It is ideal for fans of cultivation stories and short-form vertical dramas who enjoy a fast-paced, character-driven narrative.

Winter Follows Stockpiling Season 2 (凛冬跟随囤货第二季) is a completed 130-episode Chinese vertical drama in the sci-fi apocalyptic genre. Set in a world ravaged by -70°C cold waves, toxic fog, and billions of zombies, it follows seafood shop owner Jiang Qingyue and her team as they build a zombie farm, tame the zombie king, and fight for survival. This guide covers the plot, production notes, and what to expect from the series.

Mo Ge Chao Fan Gong Lu Season 6 (末哥超凡公路第六季) is a completed Chinese vertical drama in the sci-fi apocalyptic genre. The story follows Captain Chen Ye and the Fair Convoy as they capture a city and try to build a safe haven for survivors, only to face internal power struggles and new external threats. With 215 episodes, this short drama blends survival action with human drama, making it a solid pick for fans of post-apocalyptic storytelling and compact binge-worthy formats.

Tag God Season 2 (标签造神第二季) is a completed Chinese vertical drama in the urban fantasy genre, running 150 episodes. The story follows Gu Qing, who suddenly sees labels above people’s heads that can alter his future. Approaching a celebrity label brings fame, while a corpse label signals death. As this power awakens, spiritual energy revives on Earth and monsters invade, plunging the world into chaos. This short drama suits fans of supernatural abilities, urban settings, and high-stakes fantasy storytelling.

精通婴语满朝权贵求我带娃 is a completed Chinese short drama (116 episodes) that blends farming, comedy, and childcare. The story follows Song Yubai, a poor young woman in the capital who can understand baby language. She uses this unique skill to soothe difficult aristocratic infants, solving their hidden discomforts and winning the favor of powerful families. This drama appeals to fans of lighthearted historical stories with a strong female lead and humorous baby-related scenarios. The series is known for its creative premise and episodic structure typical of vertical short dramas.

The Prince’s Little Treasure (王府小祖宗，捡啥啥是宝) is a completed Chinese short drama in the ancient costume genre, spanning 120 episodes. The story follows Cheng Ru’an, the princess of the Prince Ning’s mansion, who, after a series of misfortunes, seeks ancestral guidance and discovers a clever orphan girl named Tuantuan at a local establishment. Tuantuan’s innocent nature and knack for finding hidden treasures bring joy and good fortune to the household, gradually winning over the entire family. This heartwarming tale is ideal for viewers who enjoy family-centric narratives, lighthearted comedy, and themes of found family and luck.

Shen Nu Gui Tu (The Divine Maiden’s Return) is a completed Chinese vertical drama in the fast-travel genre, running 169 episodes. It follows Jiang Fuyue, a modern woman who is transported to the ancient Zhou dynasty after a car accident. Equipped with a phone-based system, she spends three years delivering disaster relief and helping the fallen prince Xie Lianyuan ascend the throne. However, a noblewoman named Shen Mingshu steals her phone and claims credit, leading to Fuyue being branded a demon and nearly executed. At the last moment, the system publicly reveals the true host, and Fuyue chooses to return to the modern world, leaving the kingdom in chaos. The drama suits fans of time-travel, system-assisted plots, and bittersweet endings.